The Ukulele Guild of Hawaii's Blog

ukuleleman36@hotmail.com (Kamuke) — Sun, 20 Dec 2009 02:35:00 +0000

JUMPIN' JIM DOWN-UNDER!

Jim & Liz Beloff from Flea Market Music (www.fleamarketmusic.com) were recently in Australia on a promotional tour. I caught up with Jumpin’ Jim after a well-attended ukulele workshop in Sydney…

What do you think of the Australian ukulele scene?
It’s extraordinary. Liz and I have been in Sydney for five days, we’ve done three events, and I don’t think we’ve gone to every uke club. I’m frankly blown away by the interest here. There’s a commonality to a lot of the songs people seem to like; a lot of clubs share a core repertoire. I think somehow this new movement has tapped into some unused genetic strand that we all carry around – this joy of personally making music and sharing it with others.

Considering the success of the Fluke and Flea, have you got any other instruments in the works?
That’s really a question for my brother-in-law [ukulele designer Dale Webb]. The one innovation we’ve just started to offer are these unique Peghed tuners on our Flukes and Fleas. They’re custom-designed and look like old-fashioned wooden tuners, but they’re engineering marvels. They have all these tiny gears in them, they’re lightweight, and I think they’re going to be popular.

You recently released a new CD with Leapin' Liz called "Rare Air". Tell me about that.
We’d never made a CD that just featured the two of us, so because of this tour, we decided to make one. It’s got some covers and a lot of originals that were either written by me alone or with Herb Ohta and Lyle Ritz. I’m so thankful and happy to have been able to write with these two legends. Some people think of them strictly as virtuoso players, but they’re also fine composers.

Will we see any new Jumpin’ Jim songbooks in 2010?
Two books for sure are going to come out in 2010. One’s a bluegrass book done for us by Fred Sokolow, who did the "Blues Ukulele" book for us – classic bluegrass tunes arranged for the uke in a couple of different ways, with a CD. The other big project, which we’ve been working on for years, is a book that will have close to 400 songs in it. This will be the kind of book that you find at uke clubs, with a big spiral binding and easier arrangements so everyone can play along. So that’s going to keep us busy next year.

The full version of this interview will appear in the forthcoming second edition of "The Strummer" magazine. For updates, see www.twitter.com/SydneyStrummer.

tim@ideawindow.com (Tim Walsh) — Sun, 03 May 2009 12:17:00 +0000

John King passes at 55
Obituary

(The New York Times Obituary) John King adored Hawaii, though he lived there for only a few years as a boy. The “Hawaiian room” in his Florida home was stuffed with hundreds upon hundreds of hula dolls, leis and other artifacts. He once owned 400 Hawaiian shirts, more than enough to wear a different one every day of the year — which he was proud to do. Is it a surprise that Mr. King played the ukulele?

And boy, did he play that ukulele. His huge hands and stocky wrists darted and danced up, down and across the tiny instrument’s strings in a way that few, if any, players have ever attempted.

Mr. King resurrected a guitar technique from the time of Bach to play a piece that was almost certainly never before tried on a ukulele, Bach’s Partita No. 3, and went on to play other difficult classical works with dazzling mastery. He opened pathways of sound unimaginable to those whose memories of the ukulele involve Arthur Godfrey, Elvis Presley and, of course, Tiny Tim.

The Journal of the Society for American Music last year called Mr. King “perhaps the world’s only truly classical ‘ukulele virtuoso.’ ”

Mr. King’s death at 55 on April 3 at his home in St. Petersburg, Fla., sent shock waves through the ukulele universe, which has widened with enthusiasts now clustering on the Internet and at festivals around the country. His wife, Debi, said that Mr. King died of a heart attack, suddenly and completely unexpectedly.

In one of the tributes that pervade this online universe, Jim Beloff, a leading ukulele player, calls Mr. King’s work in classical ukulele “the finest in the world, and the finest we will ever see in a long time.”

Tom Walsh, a board member of the Ukulele Hall of Fame Museum, said in an interview last week that Mr. King was “adored by the ukulele community,” most of whom faced an inescapable realization: “I could never possibly play like that.”

The foundation of Mr. King’s achievement was reviving a Baroque guitar technique and applying it to the ukulele. The technique involves playing each succeeding note in a melodic line on a different string. The ukulele — which is tuned so that the four strings go not from the lowest to the highest note but instead run G, C, E, A — turns out to be great for doing this. (An illustration of ukulele tuning can be found at theuke.com.) The result is a bell-like quality of sound in which individual notes over-ring one another, producing an effect that some compare to a harp or harpsichord.

“The people Bach originally wrote this music for must have been fabulous musicians, because this stuff is really hard to play,” Mr. King wrote in an essay. “My heart is in my throat whenever I play these pieces in concert.”

In another essay he expounded on the sheer difficulty: “The truth is it’s a crazy way to play the uke; ease of execution is all but sacrificed, subordinated to whatever it takes to get that shimmering, harplike sound. It works for me, because when I play it that way, the ukulele sings.”

John Robert King was born in San Diego on Oct. 13, 1953, the son of a naval officer. The family moved a lot; when John was 6, they lived in Hawaii. His mother took up the ukulele to get a feel for local culture, and John imitated her. He noticed two things: it was difficult, and he had “absolutely no talent.” So he took up the guitar and progressed impressively. He ended up taking lessons from Pepe Romero, the classical guitarist, and Pepe’s legendary father, Celedonio.

After attending Old Dominion University in Virginia, Mr. King became a guitar instructor at Eckerd College in St. Petersburg. He also worked in the campus bookstore.

He picked up a ukulele occasionally, but not successfully. Then he learned that the diminutive ancestors of today’s guitars were tuned like ukuleles. He tried Bach on the ukulele and was deeply intrigued. He soon commissioned Gioachino Giussani, the Italian luthier, to make a ukulele expressly for classical music. After a decade of practice, he put out a record, including the Bach partita, on his own label in 2001.

Pepe Romero concluded in the liner notes: “The sound of the ukulele is exquisitely well suited for Bach’s music, and I delight in this discovery.”

Mr. King made a second record, again on his own label, Nalu Music. It was music composed in the later part of the 19th century by the members of the Hawaiian royal family, in the decades before the state’s annexation by the United States. Many pieces had not been played for a century.

He also wrote books of arrangements for the ukulele, including works by Mozart, Chopin and Scott Joplin. At his death, Mr. King was working on a book about ukulele history, beginning with its introduction to Hawaii by the Portuguese in the late 19th century.

In addition to his wife, Mr. King is survived by his daughters, Katie and Emma King and Amy King Majer; three grandchildren; his mother, Delores; and his brother, Paul.

Mr. King liked to pick his uke at his neighborhood Starbucks, where he said he did not feel nervous, because people had no expectations.

Mr. King, who always wore a hula skirt on Halloween, had a prized possession: a Hawaiian shirt of the same color and design that Montgomery Clift wore in the movie “From Here to Eternity” — bought in 1986 for $500.

He often said that his fondest desire was to move to Hawaii and live in a shack in the mountains near the beach.

noreply@blogger.com (Robbie) — Wed, 27 Jun 2007 16:46:00 +0000

The Kahilu Theatre, located in Kamuela on the Big Island of Hawaii, has scheduled its annual Ukulele and Slack Key Guitar institute to occur November 7-10, 2007. This is the week end prior to the Ukulele Guild of Hawaii expo in Honolulu. As of this writing, neither performer line up nor workshop schedules have been finalized. Keep checking the Kahilu Theatre website for updated info at www.kahilutheatre.org. Luthiers wishing to display their works at this year's event should contact Bob Gleason of Pegasus Guitars and Ukuleles at pegasusguitars@hawaiiantel.net.

tim@ideawindow.com (Tim Walsh) — Wed, 27 Jun 2007 16:20:00 +0000

Accommodations for The Ukulele Guild's Exhibition and Conference

Here are search results for accommodations near the 2007 Exhibition and Conference.

If you have any favorite places you would like to share like please leave a comment here too!

tim@ideawindow.com (Tim Walsh) — Sat, 14 Apr 2007 16:55:00 +0000

Ukulele Guild's 2007 Exhibition & Conference Information

Well we finally have some definite dates for the Exhibition! It will be held at the Waikiki Beach Marriott on November 16, 17 & 18, 2007. There will be a Saturday night Concert benefiting the Ukes for Kids Program. There will be seminars held on Saturday and Sunday and an open mic for people to sign up and perform.

There will be the usual vendor tables, auction and ukulele display. They still haven't finalized everything else.. But the date is finally set. The prices aren't set either.

If you have any questions, comments or suggestions please post them here.
Mahalo

STAY TUNED!

tim@ideawindow.com (Tim Walsh) — Wed, 15 Mar 2006 05:48:00 +0000

5th Annual Exhibtion & Convention

Here is the latest news on the 2006 Exhibition - It will be held at the Marriott Hotel in Waikiki, but the dates have changed to November 3-5. This change was possible when a prior scheduled event was cancelled.

Initially the Exhibition was scheduled for the Thanksgiving weekend as it was the only weekend available from October through December. It was that weekend or not at all. The tourism business has exploded and fitting venues are difficult to reserve especially with the schedule that is required for the Exhibit - concerts, dinner, building workshops, open mike, playing seminars, etc. It was during the discussions finalizing the layouts that the cancellation came about. And so the change was made. The intent has always been to satisfy as many of the members as possible although realization is unfortunately that all can not be satisfied. We believe these dates are more attractive. Thanks for your understanding.

We now have a date and a venue - work on the details can be started. There are a lot of ideas but key is meeting the needs of the attendees. This is now our objective and we aim to please!

The Exhibition Committee

The Launch of the Ukulele Guild's Blog

tim@ideawindow.com (Tim Walsh) — Sat, 04 Feb 2006 14:02:00 +0000

Feburary 2006

Today the Ukulele Guild launched it's Blog.